Rust, the indie Western with a tragic backstory, is now out at at some 115 theaters through Falling Forward Films, as well as on PVOD.

Rust is certainly one independently made movie that doesn’t need publicity.

Alec Baldwin stars as an aging gunslinger in a melancholy saga, filled with inescapable reminders of the on-set tragedy

Cinematographer Halyna Hutchins was killed when a prop gun with real ammunition discharged while Alec Baldwin was rehearsing.

The Western, out May 2, also stars Josh Hopkins, Travis Fimmel and Frances Fisher.

The film about real-life concentration camp survivor and artist Joseph Bau also stars Inbar Lavi, Yan Tual, Adam Tsekhman and Josh Zuckerman.

Plus, my thoughts on the Golden Globes and why they don't matter at all as far as the Oscars are concerned, and Jacob Elordi's new gig working with Ridley Scott.

Deadline’s Read the Screenplay series spotlighting the scripts behind the buzziest awards-season films continues with Day of the Fight, the indie drama written and directed by Jack Huston.

Michael C. Pitt stars in a black-and-white boxing drama where the past looms large on the eve of a fighter’s comeback.

Jack Huston is no stranger to the movie business. So when the longtime actor and grandson of filmmaker John Huston launched his directorial debut — the boxing drama “Day of the Fight” — to good reviews at last year’s Venice Film Festival, he knew it would still be tough to find distribution in today’s theatrical marketplace. But he had no idea how tough a fight it would be.

As the lauded regional festival winds down, it celebrates a wide array of competition titles, including narrative and documentary features and a number of short films.

Pocket.watch and Sunlight Entertainment will expand the theatrical release of the upcoming film Ryan’s World the Movie: Titan Universe Adventure through a new partnership with Falling Forward Films.

“Fighting Spirit: A Combat Chaplain’s Journey," Is The First Co-Production Between Hollywood and the U.S. Army Chaplain Corps

In what is shaping up to be a rather thin awards season, could a small but formidable film, written and directed by a filmmaker with three Oscar winners in his family, find its way into contention?

In what is shaping up to be a rather thin awards season, could a small but formidable film, written and directed by a filmmaker with three Oscar winners in his family, find its way into contention?